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Description
The morning after the paint. Silver, gray, and a dirty white blend together in thick strokes. Beneath them, yellow and a hint of red still shine through—the remnants of yesterday’s light that haven’t faded away.
Subject: non-representational, all-over surface. No scene. Just density, grooves, layers. A hangover isn’t just a story here. It’s a state of matter.
Style: Abstract Expressionism. Heavily impasto acrylic, gestural brushwork, overpainting. Close to Tachism: traces of movement remain visible.
From a distance, a restless silver-gray wall. Up close: relief, scratches, and islands of yellow and red beneath the surface.
It fits well in an interior with concrete, metal, and dark wood. In a white room, it will look rough—and that’s exactly what it’s supposed to do.
Original.