THE MAN BEHIND THE PAINTING: STEVO BAJALICA AND THE WORLD BETWEEN SLEEP AND AWAKENING
What remains of a dream when we open our eyes in the morning? Perhaps just a feeling, a face, an atmosphere, or a few fragments that don’t quite make sense. Serbian artist Stevo Bajalica returns to precisely these moments in his work. His paintings capture what we may not consciously remember from our dreams, but what still remains somewhere deep inside.
2 min čtení
Sometimes we wake up from a dream and know that we were dreaming, but we can’t say what it was about. All that remains is a strange feeling—an image, a face, a fragment of a place, an atmosphere. And perhaps that is precisely why some dreams never fade away completely.
In his work, STEVO BAJALICA turns to this very space between dreaming and waking. To a place where things don’t yet function the way they do during the day. Where we don’t have to explain everything. Where a memory can turn into a feeling, and a feeling into an image.
"There is a part of sleep that we can never hold onto."
And that is actually a very accurate key to understanding his paintings.
Island of Color, 120 × 152 cm, 2024
THESE ARE NOT DREAMS. THEY ARE THEIR TRAILS
Bajalica does not view her paintings as literal depictions of dreams. It is not about painting a specific dream in a way that the viewer can understand.
What’s far more important is capturing the atmosphere, the perspective, the feeling, the fragment, or the moment that remains from the dream—that which slowly fades away after waking up. And this is precisely where his work begins to intrigue the viewer, because each of us has our own experience with dreams. Everyone has woken up some morning knowing they’d had a dream, only to find that within a few minutes, they could no longer recall the plot.
Only something remained.
A feeling.
THE SPACE BETWEEN SLEEP AND WAKING
Bajalica describes this space as a place where he can paint. In his own words, his paintings are not the commands of a dream. They are traces of something that happened at the moment we were dreaming. Perhaps that is why they may seem familiar—not because we have seen a specific scene before, But because they evoke a feeling within us that we recognize.
MAYBE THAT IS PRECISELY WHY WE DON’T JUST LOOK AT SOME PAINTINGS WITH OUR EYES.
We observe them and, at the same time, search for something within them.
DREAMCATCHER
One of the motifs associated with Bajalic’s work is *Dreamcatcher* / *Hvatač snova*.
The title itself raises the question:
WHAT IF WE COULD ACTUALLY CAPTURE OUR DREAMS? WHAT WOULD REMAIN OF THEM?
WHAT WOULD BE LEFT OF THEM?
A STORY?
FACE?
COLOR?
OR JUST A FEELING WE CAN'T PUT INTO WORDS?
THE MAN BEHIND THE PAINTING
Behind every work of art is a person—with their own experiences, memories, questions, and way of looking at the world. And that’s exactly why we created the series “The Person Behind the Painting.” We don’t want to just look at the finished work. We also want to get to know the people behind them. Because sometimes, a single detail from an artist’s life can help us see their painting through a completely different lens.
STEVO BAJALICA AT THE ORIGINAL GALLERY
YOU'LL ALSO HAVE THE OPPORTUNITY TO EXPERIENCE STEVE BAJALICA'S WORK IN PERSON.
IN OCTOBER, FROM THE 2ND TO THE 16TH, 2026, WE WILL PRESENT HIS WORK AT AN EXHIBITION AT THE ORIGINAL GALLERY IN PRAGUE.
And maybe it would be best to come without any expectations. Without wondering what exactly the painting means. Just to pause for a moment.
Take a look. And let the image speak for itself. Because maybe there are some things we really don't need to explain.
In an interview with Original Gallery, Brno-based painter Evgeniya Zolotareva discusses her journey toward abstraction, color and form, and what she hopes to convey to viewers at her exhibition *Beyond the Boundaries of Form* in downtown Prague.
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