AURORA

Description

AURORA 140–70–6 cm / 0.4 kg (single-point suspension), 2025, Babylon series, technique: Saphea Phenomenal Spatial™️.

The body adapts to the object, which adapts to the space. The work does not describe the space around it, but absorbs it, digests it, and returns it transformed with the dynamics of light and shadow. Unique. Weightless. Protection. Spatial presence. Museum presence. Ritually interconnected matter, time, and an architectural node. An immersive tactile foundation, a transformative work. Origin verified by blockchain. Originally, this work was completely different—dark—but even my more successful pieces sometimes undergo a transformation when I feel like it. Life has once again brought someone into my path who reminded me that my trust is sometimes selfless to the point of being at my own expense.

These emotions were reflected in the structure—a combination of silver, gold, and rose gold. Subconsciously, I created symbols, much like Kandinsky: a triangle as a symbol of balance and spiritual growth, and semicircles evoking movement and dynamism. This experience, though it brought pain and disappointment, fostered my spiritual growth. Perhaps it wasn’t my story; perhaps I was simply needed in someone else’s story. And everything that grows sometimes hurts.

This work tells a story of transformation, strength, and the constant search for harmony, self-confidence, and, above all, intuition. And for it to work perfectly, all you need to do is listen to it more often. I don’t create out of psychological necessity; I maintain a temporal continuity in which the past is not separated from the present, exploring the moment when and how the body perceives space even before its mind takes shape and becomes nameable. Is the shifting spectrum of colors merely an illusion?