Mgr. Nicol Rubá Vošmíková RUBART

Mgr. Nicol Rubá Vošmíková RUBART is a professional sculptor and creator of object installations. She is the only person in the world to have developed and utilize a technology that solves the problem of suspension.

Thanks to Saphea Phenomenal Spatial™️ technology, she creates—across scales, times, and paradoxes—monoliths 200 cm deep that weigh as much as a cat (5 kg).

Her work diverges significantly from classical sculpture; her signature reliefs on canvas defy categorization.

Her creation of unique structures began in places where others are afraid to even glance. And when she faced those darkest nights alone—because everyone she trusted had disappeared and her life was shaken to its core, having hit rock bottom so hard that she was losing herself— she realized that the only thing that would remain with her forever was herself, and that the only thing no one could take from her was her unique and one-of-a-kind body of work, which she had humbly kept hidden for over 12 years—and it is precisely in her work that her know-how is concealed.

In Nicol’s space, a controlled collision takes place, as the artist—spanning the boundaries of painting, sculpture, and even installations—moves across disciplines: art, thermodynamics, physics, neuroaesthetics, psychology, and history, all within a single cohesive concept.

Nicol creates through a process of disintegration, in which the energy from the destruction of materials and life situations would otherwise dissipate, but is instead geometrically and precisely aggregated, thereby reducing entropy to zero in her works. Babylon is not an interpretation of history, but its revival—like a living chain, where each

work has its own NFT, and thus is recorded in this form as a reflection of the present for the future.

Nicol creates from a single material; her works are monumental in appearance, monolithic, utilizing chiaroscuro, kinetic luminous effects, and other effects that vary from piece to piece. All are “Autarchy-specific”—they do not require a large space; they create it themselves. Thus, one could say that the artist does not create the works themselves, but rather a space where she phenomenologically explores the viewer’s reactions on a pre-semantic (unconscious) level.

The works are protective, lightweight, durable, and internationally recognized. The artist is

recognized by the Czech Ministry of Culture as well as by Italy (Attestato di Merito Premio Artista Europa); she has curated more than 30 exhibitions, published over 20 ISSN/ISBN titles, and had her work selected for museums and art fairs across Venice, Berlin, New York, Canada, Saudi Arabia, and beyond.

The BABYLON series is a cohesive body of work, and she is currently working on her second series, METATRON ZOLDAMEDA and Millie.

She is the great-granddaughter of Ing. Arch. Jan Rubý, the architect who shaped the new face of Ostrava, and the granddaughter of painter Dagmar Rubé.

She graduated from Charles University with a degree in law and from the Faculty of Education at the University of Ostrava. She is the proud mother of her daughter Valentina.